“Broddick is a heavy man,” he was saying, “and the main interest of the play was the embezzlement. The sense of publicity, of people coming and going about them, kept them both unemotional. Certainly you have a reason. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her.
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