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She started at the falling of a leaf, at the lumbering of a cow through the hedge. The chief scene of these disgusting orgies,—the cellar, just referred to,—was a large low-roofed vault, about four feet below the level of the street, perfectly dark, unless when illumined by a roaring fire, and candles stuck in pyramidal lumps of clay, with a range of butts and barrels at one end, and benches and tables at the other, where the prisoners, debtors, and malefactors male and female, assembled as long as their money lasted, and consumed the time in drinking, smoking, and gaming with cards and dice. He left Remenham House immediately after his wife died, giving birth to their daughter. He would discuss something she had been reading, and he would give her some unexpected angle, setting a fictional character before her with astonishing clearness. “I do not lay claim,” he continued, “to any remarkable amount of insight, but it is possible, is it not, that I have stumbled upon your present cause of distress. After all, she found herself reflecting, behind her aunt’s complacent visage there was a past as lurid as any one’s—not, of course, her aunt’s own personal past, which was apparently just that curate and almost incredibly jejune, but an ancestral past with all sorts of scandalous things in it: fire and slaughterings, exogamy, marriage by capture, corroborees, cannibalism! Ancestresses with perhaps dim anticipatory likenesses to her aunt, their hair less neatly done, no doubt, their manners and gestures as yet undisciplined, but still ancestresses in the direct line, must have danced through a brief and stirring life in the woady buff.

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