Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. “Thanks, I’m not very fond of coffee,” Anna answered, “and I hate music. It was an awful moment—so awful, that every other feeling except deep interest in the scene seemed suspended. I wish that it worked. “You are in luck, Miss Pellissier,” he declared. Understand me! I forbid it. It slid off flimsily.
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