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They were terrible, horrible people. She had found that proof. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. ‘What did you do with the portrait then? Not that I suppose it is much use any longer. In the next place, she really had some pretensions to beauty. I can remove the prisoner at any hour of the night I think fit: and I will remove him.

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