All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. ‘Maman?’ ‘How touching,’ said a sarcastic voice behind her in French. ‘Do you mean to tell me,’ enquired the captain at length, ‘that you have had the infernal audacity, the—the gall, the—the— Gad, it’s an outrage! You’ve stolen a horse from a priest?’ ‘I did not steal it,’ protested Melusine hotly.
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