The temperature soared to one hundred degrees, sickeningly hot. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. In mid-bite, she heard a car door slam that was recognizable. Of course, at home there would have been questions. Ann Veronica found herself in the presence of the most disconcerting fact in human experience, the kindliness of people you believe to be thoroughly wrong.
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