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” The lights sank, the prelude to the third act was beginning, the music rose and fell in crowded intimations of lovers separated—lovers separated with scars and memories between them, and the curtain went reefing up to display Tristan lying wounded on his couch and the shepherd crouching with his pipe. That her husband was not touching her anymore grew to be like a disease, something to be cured. In this attempt he was, however, foiled by the agility of the carpenter, who managed to retreat to the door, against which he placed his back, kicking the boards vigorously with his heel.
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