But he could only utter an inarticulate exclamation. His was the Latin turn of thinking; he had fallen in love at thirteen, and he was still capable—he prided himself—of falling in love. His curiosity, his literary instincts, had been submerged by the recurring thought of the fool he had made of himself. You get this queer irascible musician quite impossibly and unfortunately in love with a wealthy patroness, and then out of his brain comes THIS, a tapestry of glorious music, setting out love to lovers, lovers who love in spite of all that is wise and respectable and right. Stanley. McClintock's initial revulsion was natural; he was an honest man.
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